Monday 9th September – Thursday 12th September 2013
Mansfield College, Oxford, United Kingdom
Call for Presentations
Fashion is a statement, a stylised form of expression, which displays and begins to define a person, a place, a class, a time, a religion, a culture, subcultures, and even a nation. This inter-disciplinary and trans-disciplinary conference seeks to explore the historical, social, economic, political, psychological and artistic phenomenon of fashion, a powerful component of contemporary culture. Fashion lies at the very heart of persons, their sense of identity and the communities in which
they live. Individuals emerge as icons of beauty and style; cities are identified as centres of fashion; the business of fashion is a billions of dollar per annum global industry, employing millions of people. The project will assess the history and meanings of fashion; evaluate its expressions in politics, business, pop culture, the arts, consumer culture, and social media; determine its effect on gender, sexuality, class, race, age, nation and other sources of identity; and explore future directions and trends.
Building on the foundations of previous meetings, publications and collaborations, the conference will be structured around 5 main areas of focus. Each area will have the opportunity to enjoy specific as well as whole group sessions. Papers, presentations, demonstrations and workshops are invited on the following themes:
1. Understanding Fashion
- Fashion, Style, Taste-Making, and Chic
- Fashion and Fashionability
- Fashion and Zeitgeist
- History of Fashion
- The Future of Fashion
2. Learning and Fashion
- Tools and Methodology
- Theorizing Fashion: Disciplines and Perspectives
- Fashion Education and Fashion Studies
- Identifying, Defining and Refining Concept(e.g., ‘style,’ ‘fashion,’ ‘look,’ ‘fad,’ ‘trend,’ ‘in & out’)
- Studying and Documenting Fashion (curatorial practice, collections, archives, and museums)
- Fashion Specialists (e.g., pattern makers, fitters, embroiders, tailors, textile experts)
- The Materials of Fashion
3. Representing and Disseminating Fashion
- Fashion Icons
- Designer and Muses
- Stylists
- Style Guides and Makeover Shows
- Fashion Photography
- Fashion Magazines, Blogs, and Social Media
- Films and Documentaries about Fashion
- Fashion and the Performing Arts, Music and Television
- Celebrities as Fashion Designers
4. Identity and Fashion
- Fashion and Identity (e.g., class, race, ethnicity, gender, sexuality, age, nation, transnationalism, religion, etc.)
- Fashion: (Sub)Cultures
- Fashion, Politics, and Ideology: e.g., ‘message’ fashion; political platform, regimes, and revolutions)
- Ethical Issues in Fashion (e.g., cruelty free fashion, eco-fashion, exploitative labour, the ‘fakes’ market)
- Fashion as Performance
- Fashion, the Body, and Self-Fashioning (e.g., beauty standards, body art, weight, plastic surgery, etc.)
5. The Business of Fashion
- Fashion Professions and Trades
- Fashion Cities, Fashion Weeks, Fashion’s Night Out
- Fashion Marketing (e.g., brands, flagship stores, guerilla stores, eCommerce)
- Fashion Models
- Fashion Forecasting
- Marketing Platforms (e.g., communication, streaming video, social media, etc.)
- Fashion Markets: Vintage, Nostalgia, Mass, Luxury, Emerging
- Producing Displaying Fashion (production sites, showrooms, runways, window displays, websites, etc.)
- The Rise of the Accessory as a Driving Force of Fashion
The Steering Group particularly welcomes the submission of pre-formed panel proposals.
What to Send:
300 word abstracts are due by Friday 15th February 2013. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 21st June 2013. Emails containing the abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: FASHION5 Abstract Submission.
Please Note: In this email please attach TWO versions of your abstract as follows:
1) One with title and body of abstract only (no identification of the author—this version will be for our blind peer review process).
2) The other with the following information about the author(s): affiliation, email, title of abstract, title and body of abstract.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Jacque Lynn Foltyn
Dr Rob Fisher
The conference is part of the Critical Issues series of research projects. The aim of the conference is to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference are eligible for publication in an
ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts
Monday 10 December 2012
Tuesday 29 November 2011
CFP: 4th Global Conference: Fashion: Critical Issues
Sunday 16th September – Wednesday 19th September 2012
Mansfield College, Oxford, United Kingdom
Call for Papers:
Fashion is a statement, a stylised form of expression, which displays and begins to define a person, a place, a class, a time, a religion, a culture, subcultures, and even a nation. This inter-disciplinary and trans-disciplinary conference seeks to explore the historical, social, economic, political, psychological and artistic phenomenon of fashion, a powerful component of contemporary culture. Fashion lies at the very heart of persons, their sense of identity and the communities in which they live. Individuals emerge as icons of beauty and style; cities are
identified as centres of fashion; the business of fashion is a billions of dollar per annum global industry, employing millions of people. The project will assess the history and meanings of fashion; evaluate its expressions in politics, business, pop culture, the arts, consumer culture, and social media; determine its effect on gender, sexuality, class, race, age, nation and other sources of identity; and explore future directions and trends.
Building on the foundations of previous meetings, publications and collaborations, the conference will be structured around five main areas of focus. Each area will have the opportunity to enjoy specific as well as whole group sessions. Papers, presentations, demonstrations and workshops are invited on the following themes:
1. Understanding Fashion
- Fashion, Style, Taste-Making, and Chic
- Fashion and Fashionability
- Fashion and Zeitgeist
- History of Fashion
-The Future of Fashion
2. Learning and Fashion
- Tools and Methodology
- Theorizing Fashion: Disciplines and Perspectives
-Fashion Education
- Identifying, Defining and Refining Concepts (e.g., ‘style,’ ‘fashion,’ ‘look,’ ‘fad,’ ‘trend,’ ‘in & out’)
- Studying and Documenting Fashion (curatorial practice, collections, archives, and museums)
-Fashion Specialists (e.g., pattern makers, fitters, embroiders, tailors, textile experts)
-The Materials of Fashion
3. Representing and Disseminating Fashion
- Fashion Icons
-Designer and Muses
-Stylists
- Style Guides and Makeover Shows
- Fashion Photography
- Fashion Magazines, Blogs, and Social Media
-Films and Documentaries about Fashion
-Fashion and the Performing Arts, Music and Television
- Celebrities as Fashion Designers
4. Identity and Fashion
- Fashion and Identity (e.g., class, race, ethnicity, gender, sexuality, age, nation, transnationalism, religion, etc.)
- Fashion: (Sub)Cultures
- Fashion, Politics, and Ideology: e.g., ‘message’ fashion; political platform, regimes, and revolutions)
- Ethical Issues in Fashion (e.g., cruelty free fashion, eco-fashion, exploitative labour, the ‘fakes’ market)
-Fashion as Performance
-Fashion, the Body, and Self-Fashioning (e.g., beauty standards, body art, weight, plastic surgery, etc.)
5. The Business of Fashion
-Fashion Professions and Trades
-Fashion Cities, Fashion Weeks, Fashion’s Night Out
-Fashion Marketing (e.g., brands, flagship stores, guerilla stores, eCommerce)
-Fashion Models
-Fashion Forecasting
-Marketing Platforms (e.g., communication, streaming video, social media, etc.)
-Fashion Markets: Vintage, Nostalgia, Mass, Luxury, Emerging
-Producing Displaying Fashion (production sites, showrooms, runways, window displays, websites, etc.)
- The Rise of the Accessory as a Driving Force of Fashion
The Steering Group particularly welcomes the submission of pre-formed panel proposals. 300 word abstracts are due by Friday 3rd February 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 22nd June 2012. Emails containing
the abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: FASHION4 Abstract Submission.
Please Note: In this email please attach TWO versions of your abstract as follows:
1) One with title and body of abstract only (no identification of the author—this version will be for our blind peer review process).
2) The other with the following information about the author(s):
affiliation, email, title of abstract, title and body of abstract
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Jacque Lynn Foltyn
Professor of Sociology, Dept of Social Sciences,
College of Letters and Sciences, National University, CA, USA
Dr Rob Fisher
Inter-Disciplinary.Net
Priory House, Wroslyn Road,
Freeland, Oxfordshire OX29 8HR
The conference is part of the Critical Issues series of research projects. The aim of the conference is to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Mansfield College, Oxford, United Kingdom
Call for Papers:
Fashion is a statement, a stylised form of expression, which displays and begins to define a person, a place, a class, a time, a religion, a culture, subcultures, and even a nation. This inter-disciplinary and trans-disciplinary conference seeks to explore the historical, social, economic, political, psychological and artistic phenomenon of fashion, a powerful component of contemporary culture. Fashion lies at the very heart of persons, their sense of identity and the communities in which they live. Individuals emerge as icons of beauty and style; cities are
identified as centres of fashion; the business of fashion is a billions of dollar per annum global industry, employing millions of people. The project will assess the history and meanings of fashion; evaluate its expressions in politics, business, pop culture, the arts, consumer culture, and social media; determine its effect on gender, sexuality, class, race, age, nation and other sources of identity; and explore future directions and trends.
Building on the foundations of previous meetings, publications and collaborations, the conference will be structured around five main areas of focus. Each area will have the opportunity to enjoy specific as well as whole group sessions. Papers, presentations, demonstrations and workshops are invited on the following themes:
1. Understanding Fashion
- Fashion, Style, Taste-Making, and Chic
- Fashion and Fashionability
- Fashion and Zeitgeist
- History of Fashion
-The Future of Fashion
2. Learning and Fashion
- Tools and Methodology
- Theorizing Fashion: Disciplines and Perspectives
-Fashion Education
- Identifying, Defining and Refining Concepts (e.g., ‘style,’ ‘fashion,’ ‘look,’ ‘fad,’ ‘trend,’ ‘in & out’)
- Studying and Documenting Fashion (curatorial practice, collections, archives, and museums)
-Fashion Specialists (e.g., pattern makers, fitters, embroiders, tailors, textile experts)
-The Materials of Fashion
3. Representing and Disseminating Fashion
- Fashion Icons
-Designer and Muses
-Stylists
- Style Guides and Makeover Shows
- Fashion Photography
- Fashion Magazines, Blogs, and Social Media
-Films and Documentaries about Fashion
-Fashion and the Performing Arts, Music and Television
- Celebrities as Fashion Designers
4. Identity and Fashion
- Fashion and Identity (e.g., class, race, ethnicity, gender, sexuality, age, nation, transnationalism, religion, etc.)
- Fashion: (Sub)Cultures
- Fashion, Politics, and Ideology: e.g., ‘message’ fashion; political platform, regimes, and revolutions)
- Ethical Issues in Fashion (e.g., cruelty free fashion, eco-fashion, exploitative labour, the ‘fakes’ market)
-Fashion as Performance
-Fashion, the Body, and Self-Fashioning (e.g., beauty standards, body art, weight, plastic surgery, etc.)
5. The Business of Fashion
-Fashion Professions and Trades
-Fashion Cities, Fashion Weeks, Fashion’s Night Out
-Fashion Marketing (e.g., brands, flagship stores, guerilla stores, eCommerce)
-Fashion Models
-Fashion Forecasting
-Marketing Platforms (e.g., communication, streaming video, social media, etc.)
-Fashion Markets: Vintage, Nostalgia, Mass, Luxury, Emerging
-Producing Displaying Fashion (production sites, showrooms, runways, window displays, websites, etc.)
- The Rise of the Accessory as a Driving Force of Fashion
The Steering Group particularly welcomes the submission of pre-formed panel proposals. 300 word abstracts are due by Friday 3rd February 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 22nd June 2012. Emails containing
the abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords
E-mails should be entitled: FASHION4 Abstract Submission.
Please Note: In this email please attach TWO versions of your abstract as follows:
1) One with title and body of abstract only (no identification of the author—this version will be for our blind peer review process).
2) The other with the following information about the author(s):
affiliation, email, title of abstract, title and body of abstract
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). Please note that a Book of Abstracts is planned for the end of the year. All accepted abstracts will be included in this publication. We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Jacque Lynn Foltyn
Professor of Sociology, Dept of Social Sciences,
College of Letters and Sciences, National University, CA, USA
Dr Rob Fisher
Inter-Disciplinary.Net
Priory House, Wroslyn Road,
Freeland, Oxfordshire OX29 8HR
The conference is part of the Critical Issues series of research projects. The aim of the conference is to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details of the project, please click here.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Monday 7 February 2011
CFP: 3rd Global Conference: Fashion: Exploring Critical Issues
Thursday 22nd September - Sunday 25th September 2011
Mansfield College, Oxford, United Kingdom
Call for Papers
Fashion is a statement, a stylised form of expression which displays and begins to define a person, a place, a class, a time, a religion, a culture, and even a nation. This interdisciplinary and transdisciplinary conference seeks to explore the historical, social, cultural, psychological and artistic phenomenon of fashion. Fashion lies at the very heart of persons, their sense of identity and the communities in which they live. Individuals emerge as icons of beauty and style; cities are identified as centres of fashion. The project will assess the history and meanings of fashion; evaluate its expressions in politics, music, film, media and consumer culture; determine its effect on gender, sexuality, class, race, age and identity; examine the practice, tools, and business of fashion; consider the methodologies of studying fashion; and explore future directions and trends.
Papers, presentations, workshops and pre-formed are invited on issues related to any of the following themes:
1. Understanding Fashion
Mansfield College, Oxford, United Kingdom
Call for Papers
Fashion is a statement, a stylised form of expression which displays and begins to define a person, a place, a class, a time, a religion, a culture, and even a nation. This interdisciplinary and transdisciplinary conference seeks to explore the historical, social, cultural, psychological and artistic phenomenon of fashion. Fashion lies at the very heart of persons, their sense of identity and the communities in which they live. Individuals emerge as icons of beauty and style; cities are identified as centres of fashion. The project will assess the history and meanings of fashion; evaluate its expressions in politics, music, film, media and consumer culture; determine its effect on gender, sexuality, class, race, age and identity; examine the practice, tools, and business of fashion; consider the methodologies of studying fashion; and explore future directions and trends.
Papers, presentations, workshops and pre-formed are invited on issues related to any of the following themes:
1. Understanding Fashion
- Fashion, Style, Taste-Making, and Chic
- Fashion and Fashionability
- Fashion and Zeitgeist
- History of Fashion
- Fashion Theory
- Fashion, Politics, and Ideology: e.g. 'message' fashion; fashion as a political platform, fashion as defiance; graffiti as a fashion statement
2. Studying Fashion
- Tools and Methodology; disciplines and perspectives; professions and trades
- Documentation
- Identifying, defining and refining concepts: e.g. 'style', 'fashion', 'look', 'fad', 'trend', 'in & out'
- 'Chasing' Fashion: Studying fashion collections, archives, and museums
- Fashion collections; fashion archives
- Designers and Muses
3. Cultures of Fashion
- Fashion in the City
- Men and Fashion; Children and Fashion
- Fashion Subcultures: e.g. pets and fashion, sports and fashion, supermodels, The Red Carpet, celebrity, vintage, glamour, gothic, etc.
- Fashion and Nostalgia
- Fashion and Professional Dress: e.g. Fashion and the Law
- Ethical Issues in Fashion: e.g. cruelty free fashion; PETA anti-fur movement; slave labour. sweatshops, child labour; the growing 'fakes' market
4. Fashion and Identity
- Fashion, Culture, and the Human Body (e.g., beauty standards, body art, weight, plastic surgery)
- Self-fashioning: e.g., fashion as performance; body modifications, including make-up, hair design, piercings, tattoos, body sculpting, plastic surgery
- Fashion and Social Status: Gender, Sexuality, Class, Race, Age and Fashion
- Fashion and National Identities
- Fashion and Transnational Identities
- Fashion and Religion
5. Fashion, Representation, and Evolving Patterns of Communication & Criticism
- Fashion Photography, Magazines, Blogs, and Twitter
- Fashion Icons
- Fashion, Films and the Performing Arts
- Fashion and Music
- Fashion and Fantasy
- Fashion and Television
6. Fashion Practice
- Fashion and Curatorial Practice: e.g. possibilities and problems of creating fashion Archives; creating and accessing private and public fashion collections
- Fashion Design
- Fashion Specialists: e.g. pattern makers, fitters, embroiderers, tailors, textile experts
- Fashion Economies and the business of fashion, e.g. traditional markets, the luxury industry, the design industry, producing and displaying fashion (building showrooms, production sites, runway)
- Beyond Dress: e.g. architecture, food, furniture, kitchens, perfume
- Style Guides and Makeover Shows
7. The Future of Fashion
- Trends and Cycles; predicting fashion
- The Materials of Fashion: e.g. eco-fashion, intelligent textiles, nano-technology, etc.
- The rise of the Accessory as the Driving Force of Fashion: e.g. handbags and shoes
- Branding the Mass Market, and Consumerism: e.g. designer collections at H & M, Top Shop, M & S, Target, Wal-Mart
- Celebrities as Fashion Designers: e.g. J LO, Jessica Simpson, Kate Moss, Victoria Beckham, P Diddy
- Anti-Fashion
Papers will be accepted which deal with relate areas and themes.
The 2011 meeting of Fashion - Exploring Critical Issues will run alongside our project on Multiculturalism, Conflict and Belonging and we anticipate holding sessions in common between the two prjects. We welcome any papers considering the problems of addressing issues of Fashion and Multiculturalism, Conflict and Belonging.
Papers will be considered on any related theme. 300 word abstracts should be submitted by Friday 4th March 2011. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 22nd July 2011.
300 word abstracts should be submitted to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formates, following this order:
a) author(s) b) affiliation c) email address d) title of abstract e) body of abstract
Emails should be entitled: Fashion Abstract Submission
Please use plain text (Times New Roman 12) and abstain from using any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs:
Jacque Lynn Foltyn
Chair, Dept. of Social Sciences, College of Letters and Sciences, National University, CA, USA
Rob Fisher
Network Founder and Network Leader, Inter-Disciplinary.Net, Freeland, Oxfordshire, United Kingdom
This conference is part of the Critical Issues series of research projects. The aim of the conference is to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume.
For further details about the project click here.
For further details about the conference click here.
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