Seventh International Conference
7th-10th July 2014
University of Liverpool
Liverpool, UK
The Liverpool Centre for Medieval and Renaissance Studies at The University of Liverpool is delighted to announce that the Seventh International Conference on the Medieval Chronicle will take place at the University of Liverpool, 7th–10th July 2014.
Keynote speakers include: Professor Pauline Stafford (University of Liverpool), Professor Anne D. Hedeman (University of Kansas), Professor Marcus G. Bull (University of North Carolina, Chapel Hill), and Professor Christopher Young and Dr Mark Chinca (University of Cambridge).
The aim of the seventh conference is to follow the broad outline of the previous six conferences, allowing scholars who work on different aspects of the medieval chronicle (historical, literary, art-historical) to meet, announce new findings and projects, present new methodologies, and discuss the prospects for collaborative research.
The main themes of the conference are:
1. Chronicle: history or literature?
The chronicle as a historiographical and/or literary genre; genre identification; genre confusion and genre influence; typologies of chronicle; classification; conventions (historiographical, literary or otherwise) and topoi.
2. The function of the chronicle
The function of chronicles in society; contexts historical, literary and social; patronage; reception of the text(s); literacy; orality; performance.
3. The form of the chronicle
The language(s) of the chronicle; inter-relationships of chronicles in multiple languages; prose and/or verse chronicles; manuscript traditions and dissemination; the arrangement of the text.
4. The chronicle and the representation of the past
How chronicles record the past; the relationship with ‘time’; how the reality of the past is encapsulated in the literary form of the chronicle; how chronicles explain the past; motivations given to historical actors; the role of the Divine.
5. Art and Text in the chronicle
How art functions in manuscripts of chronicles; do manuscript illuminations illustrate the texts or do they provide a different discourse that amplifies, re-enforces or contradicts the verbal text; origin and production of illuminations; relationships between author(s), scribe(s) and illuminator(s).
Call for Papers
Papers in English, French or German are invited on any aspect of Medieval Chronicle. Papers will be allocated to sections to give coherence and contrast; authors should identify the main theme to which their paper relates. Papers read at the conference will be strictly limited to twenty (20) minutes in length. The deadline for abstracts is Monday 21 October 2013 (maximum length one (1) side A4 paper, including bibliography). Please email your abstract to the conference organisers.
The conference will take place on the south campus of the University of Liverpool, near the centre of Liverpool, Merseyside, UK. Liverpool has its own airport – Liverpool John Lennon Airport – with connections to many European cities. Travel through Manchester Airport (which has direct train connections to Liverpool) is also possible. Accommodation will be in Vine Court, newly built en-suite accommodation on the South Campus, fifteenth minutes walk from the centre of Liverpool and Lime Street Station. A variety of guest houses and hotels (at a range of prices) are similarly available near the university.
Additional information about costs, accommodation, travel and registration will be provided shortly on a dedicated conference website.
For further information please contact the organisers.
Dr Godfried Croenen
School of Cultures, Languages & Area Studies
University of Liverpool
Liverpool, Merseyside,
L69 7ZR, UK
Dr Sarah Peverley
School of English
University of Liverpool
Liverpool, Merseyside,
L69 7ZR, UK
Dr Damien Kempf
Department of History
University of Liverpool
Liverpool, Merseyside,
L69 7WZ, UK
Showing posts with label CFP. Show all posts
Showing posts with label CFP. Show all posts
Monday 23 September 2013
Wednesday 18 September 2013
CFP: Fighting Dragons and Monsters: Heroic Mythology
The International Association for Comparative Mythology 8th Annual Conference
May 24-26, 2014
Institute of Archaeology and Ethnography
National Academy of Sciences of the Republic of Armenia
Yerevan, Armenia
Conference Website
Call for Papers
We are happy to announce that the 8th Annual Conference of the International Association for Comparative Mythology is to be held at the Institute of Archaeology and Ethnography of the National Academy of Sciences of the Republic of Armenia (Yerevan, Armenia) from May 24 to May 26, 2014. All members are warmly invited to give a paper and to participate in the discussions.
Our topic (as well as the conference title) this year will be: Fighting Dragons and Monsters: Heroic Mythology.
The main focus this time will be on the Indo–European, Ancient Near Eastern, and the Caucasus mythology; however, papers about mythology of other regions of the world that conform to the conference topic are also welcome.
A list of prospective talks will be published on our website. Please take note of the following:
Titles
Please send us the title of your paper as soon as possible. That will substantially facilitate planning.
Abstracts
By January 15, 2014, please send, if you intend to participate, a short (300 words or less) abstract of your talk to this address. The abstracts will be reviewed by a selection committee; the selected abstracts will be published on our website.
Paper Length
The expected paper length is 20 minutes plus 10 minutes discussion.
The language of the conference is English.
Conference fee for the participants from North America, Australia, the EU, and Northeast Asia is $50, which will cover the conference dinner and reception. Students from the aforementioned countries and participants from other regions can participate for a reduced fee – $10. For the payment options please see below.
Also, those of you who are not yet official members of IACM, please consider joining the association! The yearly fee is $35 (it is $10 for students and members from countries outside North America, Australia, the EU, and Northeast Asia).
May 24-26, 2014
Institute of Archaeology and Ethnography
National Academy of Sciences of the Republic of Armenia
Yerevan, Armenia
Conference Website
Call for Papers
We are happy to announce that the 8th Annual Conference of the International Association for Comparative Mythology is to be held at the Institute of Archaeology and Ethnography of the National Academy of Sciences of the Republic of Armenia (Yerevan, Armenia) from May 24 to May 26, 2014. All members are warmly invited to give a paper and to participate in the discussions.
Our topic (as well as the conference title) this year will be: Fighting Dragons and Monsters: Heroic Mythology.
The main focus this time will be on the Indo–European, Ancient Near Eastern, and the Caucasus mythology; however, papers about mythology of other regions of the world that conform to the conference topic are also welcome.
A list of prospective talks will be published on our website. Please take note of the following:
Titles
Please send us the title of your paper as soon as possible. That will substantially facilitate planning.
Abstracts
By January 15, 2014, please send, if you intend to participate, a short (300 words or less) abstract of your talk to this address. The abstracts will be reviewed by a selection committee; the selected abstracts will be published on our website.
Paper Length
The expected paper length is 20 minutes plus 10 minutes discussion.
The language of the conference is English.
Conference fee for the participants from North America, Australia, the EU, and Northeast Asia is $50, which will cover the conference dinner and reception. Students from the aforementioned countries and participants from other regions can participate for a reduced fee – $10. For the payment options please see below.
Also, those of you who are not yet official members of IACM, please consider joining the association! The yearly fee is $35 (it is $10 for students and members from countries outside North America, Australia, the EU, and Northeast Asia).
Monday 16 September 2013
CFP: Late Medieval Court Records
IMC Leeds 7-10 Jul 2014
From the twelfth century on, public courts and the institutionalized legal process obtained a prominent profile in many parts of Europe. Legal authorities and litigants increasingly strove to record and thus shape the legal process through documenting their activities. The sources they produced, grouped together under the term ‘court records’, form a true goldmine for historians. They throw light on historical events and processes that are otherwise difficult if not impossible to access, from legal procedures to daily life and language, to cosmology. Small wonder that some of the most important works on premodern history, like Emmanuel Le Roy Ladurie’s Montaillou and Carlo Ginzburg’s The Cheese and the Worms, have drawn extensively on this type of source.
Yet these sources are not without difficulties for the historian using them. Not only are they often relatively hard to access, requiring extensive palaeographical and linguistic skills, but the information contained in them is seldom straightforward. Court records often purport to contain more than they do, and usually contain more than they seem to do. They are not only very rich but also very challenging sources.
That is why we think it valuable to make this historical source, the court record, the focus of a strand of sessions at the twentieth International Medieval Congress in Leeds from 7-10 July 2014. We hope to gather scholars from different regions to compare and discuss the great variety of records produced by law courts in the later medieval period, as well as the practical and methodological issues connected to their study. The idea of this IMC strand is to form a basis for further discussion and cooperation between early career researchers working with late medieval court records in the future.
We therefore invite proposals from current postgraduate, postdoctoral and other early career researchers in History and any other relevant subject area, for papers of 20 minutes on the topic of late medieval court records. Abstracts must be 200 words maximum. The proposals must include name, institution, contact information, paper title and abstract.
Possible topics for papers include but are not limited to:
• Methodology of court records
• Gendering court records
• Court records and the legal process
• Court records and urban society
• The voice of the ‘common man’ in court records
• Court records and social/religious deviancy
• The comparative approach of court records
• Court records and legal/social/political conflict
Proposals are to be sent to Frans Camphuijsen by September 22nd 2013.
Panel convenors: Sarah Crawford (University of Sydney), James Page (University of St. Andrews) and Frans Camphuijsen (University of Amsterdam)
From the twelfth century on, public courts and the institutionalized legal process obtained a prominent profile in many parts of Europe. Legal authorities and litigants increasingly strove to record and thus shape the legal process through documenting their activities. The sources they produced, grouped together under the term ‘court records’, form a true goldmine for historians. They throw light on historical events and processes that are otherwise difficult if not impossible to access, from legal procedures to daily life and language, to cosmology. Small wonder that some of the most important works on premodern history, like Emmanuel Le Roy Ladurie’s Montaillou and Carlo Ginzburg’s The Cheese and the Worms, have drawn extensively on this type of source.
Yet these sources are not without difficulties for the historian using them. Not only are they often relatively hard to access, requiring extensive palaeographical and linguistic skills, but the information contained in them is seldom straightforward. Court records often purport to contain more than they do, and usually contain more than they seem to do. They are not only very rich but also very challenging sources.
That is why we think it valuable to make this historical source, the court record, the focus of a strand of sessions at the twentieth International Medieval Congress in Leeds from 7-10 July 2014. We hope to gather scholars from different regions to compare and discuss the great variety of records produced by law courts in the later medieval period, as well as the practical and methodological issues connected to their study. The idea of this IMC strand is to form a basis for further discussion and cooperation between early career researchers working with late medieval court records in the future.
We therefore invite proposals from current postgraduate, postdoctoral and other early career researchers in History and any other relevant subject area, for papers of 20 minutes on the topic of late medieval court records. Abstracts must be 200 words maximum. The proposals must include name, institution, contact information, paper title and abstract.
Possible topics for papers include but are not limited to:
• Methodology of court records
• Gendering court records
• Court records and the legal process
• Court records and urban society
• The voice of the ‘common man’ in court records
• Court records and social/religious deviancy
• The comparative approach of court records
• Court records and legal/social/political conflict
Proposals are to be sent to Frans Camphuijsen by September 22nd 2013.
Panel convenors: Sarah Crawford (University of Sydney), James Page (University of St. Andrews) and Frans Camphuijsen (University of Amsterdam)
CFP: "Horror" - 35th Annual Conference of the Southwest Popular/American Culture Association (SWPACA)
Hyatt Regency Hotel & Conference Center
Albuquerque, New Mexico
February 19-22, 2014
The area chair for Horror of the Southwest Popular/American Culture Association invites all interested scholars to submit papers on any aspect of horror in literature, film, television, digital and online as well as general culture. Given the strong showing of work on horror cinema in recent years, we hope to continue this tradition, but also to diversify into new and unconventional areas, especially with the addition of roundtable sessions on a variety of popular topics.
Particularly encouraged are presentations that fit this year’s conference theme, "Popular and American Culture Studies: Yesterday, Today, and Tomorrow."
If you are interested in being a presenter, please send a detailed abstract (300-400 words) for a paper of 15 to 20 minutes reading time. Please provide contact information, such as name, mailing address, phone number, and especially e-mail address.
If you want to propose a panel of four speakers, or three speakers and one respondent, please include the following information: panel title; name and contact information of the panel chair; an abstract for each paper; contact information for each presenter.
The deadline for submissions is November 1, 2013.
For information about the registration process, registration fees, membership, graduate student awards and course credits, and information about travel and location, please consult the SWPACA's official web site.
Please submit abstracts and panel proposals at the conference website.
Albuquerque, New Mexico
February 19-22, 2014
The area chair for Horror of the Southwest Popular/American Culture Association invites all interested scholars to submit papers on any aspect of horror in literature, film, television, digital and online as well as general culture. Given the strong showing of work on horror cinema in recent years, we hope to continue this tradition, but also to diversify into new and unconventional areas, especially with the addition of roundtable sessions on a variety of popular topics.
Particularly encouraged are presentations that fit this year’s conference theme, "Popular and American Culture Studies: Yesterday, Today, and Tomorrow."
If you are interested in being a presenter, please send a detailed abstract (300-400 words) for a paper of 15 to 20 minutes reading time. Please provide contact information, such as name, mailing address, phone number, and especially e-mail address.
If you want to propose a panel of four speakers, or three speakers and one respondent, please include the following information: panel title; name and contact information of the panel chair; an abstract for each paper; contact information for each presenter.
The deadline for submissions is November 1, 2013.
For information about the registration process, registration fees, membership, graduate student awards and course credits, and information about travel and location, please consult the SWPACA's official web site.
Please submit abstracts and panel proposals at the conference website.
Sunday 15 September 2013
CFP: The Geographic Imagination: Conceptualizing Places and Spaces in the Middle Ages
2nd Annual Indiana Medieval Graduate Student Consortium Conference
Call for Papers
Keynote Speaker: Professor Geraldine Heng
Perceval Fellow and Associate Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin
The students of the Indiana Medieval Graduate Student Consortium (IMGC) are pleased to announce that we are accepting submissions for the second annual IMGC conference, 'The Geographic Imagination: Conceptualizing Places and Spaces in the Middle Ages', to take place on 28 Feb-1 Mar 2014 at the University of Notre Dame.
The transnational turn in the humanities over the last two decades has put increasing pressure on our ideas of nationhood and has provided us with a liberating awareness of the constructedness of the spaces we study. New methodologies have developed in response to this pressure as scholars turn to comparative approaches, borderland studies, histoire croisée, studies of empire, and oceanic models in order to accommodate the ambiguities of nationhood and of conceptions of space. Suggested by seminal transnational studies, such as Paul Gilroy’s The Black Atlantic, many critics now study “the flows of people, capital, profits and information.” Recently, David Wallace’s ambitious literary history of Europe has adopted a similarly fluid approach to culture, avoiding a study of “national blocks” of literature, organizing itself instead along transnational itineraries that stretch beyond the European sphere. The Middle Ages offer a particularly broad and rich era in which to encounter fluid notions of space, as any glance at a medieval map such as the famous Hereford mappa mundi invitingly suggests. We invite presentations from all fields to explore any aspect of the medieval “geographic imagination,” of conceptions of space, place, and nation: ideas of geography, cartography, transnational identities and networks, intercultural encounters, mercantile routes, travelogues, rural and urban spaces, religious places, and concepts of locality and local identities.
The IMGC is delighted to announce that our keynote speaker this year will be Dr Geraldine Heng, well known to many of us for her exhaustive and provocative study of medieval romance, Empire of Magic, and her subsequent work on race in the Middle Ages.
Please submit a 300 word abstract for a 15-20 minute paper by 15 Dec, 2013 on the conference website. Proposals should include the title of the paper, presenter's name, institutional and departmental affiliation, and any technology requests.
This conference is generously sponsored by the Nanovic Institute for European Studies. The Nanovic Institute is committed to enriching the intellectual culture of Notre Dame by creating an integrated, interdisciplinary home for students and faculty to explore the evolving ideas, cultures, beliefs, and institutions that shape Europe today.
Call for Papers
Keynote Speaker: Professor Geraldine Heng
Perceval Fellow and Associate Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin
The students of the Indiana Medieval Graduate Student Consortium (IMGC) are pleased to announce that we are accepting submissions for the second annual IMGC conference, 'The Geographic Imagination: Conceptualizing Places and Spaces in the Middle Ages', to take place on 28 Feb-1 Mar 2014 at the University of Notre Dame.
The transnational turn in the humanities over the last two decades has put increasing pressure on our ideas of nationhood and has provided us with a liberating awareness of the constructedness of the spaces we study. New methodologies have developed in response to this pressure as scholars turn to comparative approaches, borderland studies, histoire croisée, studies of empire, and oceanic models in order to accommodate the ambiguities of nationhood and of conceptions of space. Suggested by seminal transnational studies, such as Paul Gilroy’s The Black Atlantic, many critics now study “the flows of people, capital, profits and information.” Recently, David Wallace’s ambitious literary history of Europe has adopted a similarly fluid approach to culture, avoiding a study of “national blocks” of literature, organizing itself instead along transnational itineraries that stretch beyond the European sphere. The Middle Ages offer a particularly broad and rich era in which to encounter fluid notions of space, as any glance at a medieval map such as the famous Hereford mappa mundi invitingly suggests. We invite presentations from all fields to explore any aspect of the medieval “geographic imagination,” of conceptions of space, place, and nation: ideas of geography, cartography, transnational identities and networks, intercultural encounters, mercantile routes, travelogues, rural and urban spaces, religious places, and concepts of locality and local identities.
The IMGC is delighted to announce that our keynote speaker this year will be Dr Geraldine Heng, well known to many of us for her exhaustive and provocative study of medieval romance, Empire of Magic, and her subsequent work on race in the Middle Ages.
Please submit a 300 word abstract for a 15-20 minute paper by 15 Dec, 2013 on the conference website. Proposals should include the title of the paper, presenter's name, institutional and departmental affiliation, and any technology requests.
This conference is generously sponsored by the Nanovic Institute for European Studies. The Nanovic Institute is committed to enriching the intellectual culture of Notre Dame by creating an integrated, interdisciplinary home for students and faculty to explore the evolving ideas, cultures, beliefs, and institutions that shape Europe today.
Saturday 31 August 2013
CFP: The Health of the Realm: The Historical Context of Medicine in the Early Middle Ages
IMC Leeds 7-10 July 2014
While interest in medicine and medical texts has been growing in recent years, its historical context has largely been neglected. Illness and treatment do not exist in a vacuum: just as chronic stomach pain finds a place alongside Byzantine diplomacy and the Lombard threat in the letters of Gregory the Great, so the Anglo-Saxon Bald's Leechbook transcribes a remedy sent to a sick King Alfred, and Bede records the plague that brought the monastery of Wearmouth-Jarrow to its knees. Medical texts were the product of the circumstances, anxieties, and philosophies of their times, just as the times were shaped by the health of those who lived them.
This session hopes to explore the historical framework of illness, care, and the transmission of medical knowledge. We are looking for papers on any aspect of early medieval medicine that draws on broader themes, on topics including but not limited to:
- Cultural relations and the transmission of texts
- Trade and the market for materia medica
- The economy of medical care
- Transmission
- Vernacular and Latin sources
- Linguistic development and medical texts
- Leadership and Illness
- Death and illness, 'the Great Levellers'
- Soul, body, and the Church
Please send an abstract of no more than 300 words to Christine Voth by September 10, 2013
While interest in medicine and medical texts has been growing in recent years, its historical context has largely been neglected. Illness and treatment do not exist in a vacuum: just as chronic stomach pain finds a place alongside Byzantine diplomacy and the Lombard threat in the letters of Gregory the Great, so the Anglo-Saxon Bald's Leechbook transcribes a remedy sent to a sick King Alfred, and Bede records the plague that brought the monastery of Wearmouth-Jarrow to its knees. Medical texts were the product of the circumstances, anxieties, and philosophies of their times, just as the times were shaped by the health of those who lived them.
This session hopes to explore the historical framework of illness, care, and the transmission of medical knowledge. We are looking for papers on any aspect of early medieval medicine that draws on broader themes, on topics including but not limited to:
- Cultural relations and the transmission of texts
- Trade and the market for materia medica
- The economy of medical care
- Transmission
- Vernacular and Latin sources
- Linguistic development and medical texts
- Leadership and Illness
- Death and illness, 'the Great Levellers'
- Soul, body, and the Church
Please send an abstract of no more than 300 words to Christine Voth by September 10, 2013
CFP: Sessions at Kalamazoo 2014
The 49th International Congress on Medieval Studies, Western Michigan University, May 8-11, 2014
Please note: these CFPs are for different sessions at Congress. If you are intending to submit to an abstract, please pay attention to the contact details for that session and direct your emails to the correct person.
CFP: New Readings on Women in Old English Literature Revisited (A Roundtable)
It has been over twenty years since the publication of New Readings on Women in Old English Literature, edited by Helen Damico and Alexandra Hennessey Olsen (Indiana University Press 1990). That text was a landmark, the first to collect scholarship examining Old English texts, both canonical and those less frequently considered, from a feminist perspective. Many of the essays included are still valuable, but it is time for an updating of this important text. Much valuable work has been accomplished in the years since its publication, and more remains to be done. This session is a roundtable in which participants will discuss the state of scholarship that considers Anglo-Saxon texts from a feminist perspective, whatever that might mean today, and what direction an updating of the original volume might take. Helen Damico has agreed to serve as a respondent. This special session is a preliminary part of a project that looks towards producing a new volume of essays updating the original.
Please contact Yvette Kisor by September 15, 2013. Along with your proposal, please include a completed Participant Information Form, which is available on the ICMS website.
CFP: Give and Take: Exchange in Early Medieval English, Norse, and Celtic Literature
Gift-theory and theories of exchange continue to grant interesting insights into medieval literature, and medievalists have important perspectives to contribute to the body of theoretical scholarship on exchange. This session seeks papers exploring concepts of exchange in early medieval Anglo-Saxon, Norse, and Celtic literatures and is especially interested in papers that apply gift-theory beyond the simple exchange of gift-items. This means, for instance, considering exchange more broadly (exchanged violence, exchange between generations, exchange between the spiritual and temporal realms, symbolic exchange, etc.), or thinking through conceptual problems within gift-theory addressed by medieval sources: for example, how is meaning negotiated and guaranteed through exchange? Where are the lines are between gift, loan, and purchase? How does the gift reveal or hide intention? How is the extent of selflessness or self-interest determined or judged? How does the gift function as a test or revelation of character? What is the relationship between a thing given and its meaning?
250-300-word abstracts should be sent to Stephanie Clark by September 15. Along with your proposal, please include a completed Participant Information Form, which is available on the ICMS website. Unless requested otherwise, proposals not used in this session will be forwarded on to the Congress committee for consideration for general sessions.
CFP: Single-Manuscript Texts: the Challenges and Opportunities of Uniqueness
For many theories of textual criticism, single-manuscript texts are a problem and anomaly, yet many of the most important works of medieval literature are known from single manuscripts. Within English literature alone, Beowulf, Sir Gawain and the Green Knight, many of the lyrics in Harley 2253, and scores of other texts are unique. Moreover, medieval readers had to cope with lone texts at least as often as do modern scholars. The behavior of scribes, annotators, and translators working from damaged or otherwise problematic exemplars makes clear that in the Middle Ages, people often encountered texts that they could never expect to compare with others. The experience of uniqueness, then, was in fact a normal aspect of medieval book culture. But once we have stopped seeing single-manuscript texts as anomalies, how shall we proceed? Does uniqueness demand its own editorial practice? How should we read books that have no parallels?
With such questions in mind, we hope to bring together scholars working on a range of national languages and time periods to discuss the principles and methods guiding our study of single-manuscript texts, with the goal of understanding how unique manuscripts can be understood within medieval book culture and modern critical practice.
Abstracts and Participant Information Forms should be sent to Arthur W. Bahr.
Queries may also be directed to Emily Thornbury.
CFP: Strange Letters: Alphabets in Medieval Manuscripts
The letter, as most medieval grammatical texts will tell you, is the fundamental unit of language; if you want to know a language, you must know its letters. Throughout much of the western middle ages, knowledge of languages was primarily restricted to Latin and various European vernaculars, all of which were written with the Roman alphabet. Nevertheless, medieval scholars were well aware of other alphabets, and even knew the rudimentary connections among say the Roman, Greek, and Hebrew alphabets. Despite the general inability to interact with these and other languages in a sustained way, medieval scribes exhibit a fascination with a variety of non-Roman alphabets: Greek, and Hebrew, of course, but also Runes, Coptic, Arabic, and invented alphabets like that attributed to Aethicus Ister.
This session looks to bring together scholars working on these alphabets and those with interest in the topic to share each others' insights. Potential topics include but are not limited to:
- Alphabet Collections
- Ciphers and Codes
- Alphabetic/acrostic poetry
- The use of foreign - and pseudo - scripts in medieval art
- The use of letters in charms and magic
- Foreign marginalia
- Manuscript runes
Please send any queries as well as abstracts of no more than 250 words together with a completed Participation Form to session organizer Damian Fleming by September 15, 2013. Please include your name, title, and affiliation on the abstract. Abstracts not accepted for this session will be forwarded to the Congress committee which will consider the paper for inclusion in a general session.
Please note: these CFPs are for different sessions at Congress. If you are intending to submit to an abstract, please pay attention to the contact details for that session and direct your emails to the correct person.
CFP: New Readings on Women in Old English Literature Revisited (A Roundtable)
It has been over twenty years since the publication of New Readings on Women in Old English Literature, edited by Helen Damico and Alexandra Hennessey Olsen (Indiana University Press 1990). That text was a landmark, the first to collect scholarship examining Old English texts, both canonical and those less frequently considered, from a feminist perspective. Many of the essays included are still valuable, but it is time for an updating of this important text. Much valuable work has been accomplished in the years since its publication, and more remains to be done. This session is a roundtable in which participants will discuss the state of scholarship that considers Anglo-Saxon texts from a feminist perspective, whatever that might mean today, and what direction an updating of the original volume might take. Helen Damico has agreed to serve as a respondent. This special session is a preliminary part of a project that looks towards producing a new volume of essays updating the original.
Please contact Yvette Kisor by September 15, 2013. Along with your proposal, please include a completed Participant Information Form, which is available on the ICMS website.
CFP: Give and Take: Exchange in Early Medieval English, Norse, and Celtic Literature
Gift-theory and theories of exchange continue to grant interesting insights into medieval literature, and medievalists have important perspectives to contribute to the body of theoretical scholarship on exchange. This session seeks papers exploring concepts of exchange in early medieval Anglo-Saxon, Norse, and Celtic literatures and is especially interested in papers that apply gift-theory beyond the simple exchange of gift-items. This means, for instance, considering exchange more broadly (exchanged violence, exchange between generations, exchange between the spiritual and temporal realms, symbolic exchange, etc.), or thinking through conceptual problems within gift-theory addressed by medieval sources: for example, how is meaning negotiated and guaranteed through exchange? Where are the lines are between gift, loan, and purchase? How does the gift reveal or hide intention? How is the extent of selflessness or self-interest determined or judged? How does the gift function as a test or revelation of character? What is the relationship between a thing given and its meaning?
250-300-word abstracts should be sent to Stephanie Clark by September 15. Along with your proposal, please include a completed Participant Information Form, which is available on the ICMS website. Unless requested otherwise, proposals not used in this session will be forwarded on to the Congress committee for consideration for general sessions.
CFP: Single-Manuscript Texts: the Challenges and Opportunities of Uniqueness
For many theories of textual criticism, single-manuscript texts are a problem and anomaly, yet many of the most important works of medieval literature are known from single manuscripts. Within English literature alone, Beowulf, Sir Gawain and the Green Knight, many of the lyrics in Harley 2253, and scores of other texts are unique. Moreover, medieval readers had to cope with lone texts at least as often as do modern scholars. The behavior of scribes, annotators, and translators working from damaged or otherwise problematic exemplars makes clear that in the Middle Ages, people often encountered texts that they could never expect to compare with others. The experience of uniqueness, then, was in fact a normal aspect of medieval book culture. But once we have stopped seeing single-manuscript texts as anomalies, how shall we proceed? Does uniqueness demand its own editorial practice? How should we read books that have no parallels?
With such questions in mind, we hope to bring together scholars working on a range of national languages and time periods to discuss the principles and methods guiding our study of single-manuscript texts, with the goal of understanding how unique manuscripts can be understood within medieval book culture and modern critical practice.
Abstracts and Participant Information Forms should be sent to Arthur W. Bahr.
Queries may also be directed to Emily Thornbury.
CFP: Strange Letters: Alphabets in Medieval Manuscripts
The letter, as most medieval grammatical texts will tell you, is the fundamental unit of language; if you want to know a language, you must know its letters. Throughout much of the western middle ages, knowledge of languages was primarily restricted to Latin and various European vernaculars, all of which were written with the Roman alphabet. Nevertheless, medieval scholars were well aware of other alphabets, and even knew the rudimentary connections among say the Roman, Greek, and Hebrew alphabets. Despite the general inability to interact with these and other languages in a sustained way, medieval scribes exhibit a fascination with a variety of non-Roman alphabets: Greek, and Hebrew, of course, but also Runes, Coptic, Arabic, and invented alphabets like that attributed to Aethicus Ister.
This session looks to bring together scholars working on these alphabets and those with interest in the topic to share each others' insights. Potential topics include but are not limited to:
- Alphabet Collections
- Ciphers and Codes
- Alphabetic/acrostic poetry
- The use of foreign - and pseudo - scripts in medieval art
- The use of letters in charms and magic
- Foreign marginalia
- Manuscript runes
Please send any queries as well as abstracts of no more than 250 words together with a completed Participation Form to session organizer Damian Fleming by September 15, 2013. Please include your name, title, and affiliation on the abstract. Abstracts not accepted for this session will be forwarded to the Congress committee which will consider the paper for inclusion in a general session.
Saturday 17 August 2013
CFP: Locating the Gothic
October 22-25, 2014
Limerick School of Art and Design and Mary Immaculate College, Limerick
The Gothic is a mode that is intimately connected to location. Sites and spaces both define and demarcate the limits of Gothic aesthetics and have shaped the way varieties of the Gothic have developed over time. From hazy moors and dense forests, to urban labyrinths, contemporary cyberscapes and postmodern dystopias, the Gothic has traversed many varied landscapes, both internal and external, historic and contemporary, from which fearful and disturbing atmospheres emerge. Psycho-geographical underpinnings in the Gothic are often the basis for key Gothic experiences such as the sublime and the uncanny. The correlations between space and identity, site and narrative, are central to this and evoke new and interesting approaches to Gothic art, literature, and culture. Thus, we seek to engage with the notion of location as it underpins the literary, artistic, and physical formations of Gothic, and as it may allow us to ‘locate’ the Gothic, or versions of the same in artistic, critical and cultural terms. We are particularly interested in papers which approach alternative forms of Gothic spatiality, particularly those which discuss the Gothic in contemporary art and media. Proposals should be e-mailed to Maria Beville and Tracy Fahey by 1st May 2014.
Themes suggested (but not limited to) the following:
- Urban Gothic/Rural Gothic
- Regional Gothic/National Gothic
- Gothic Utopias/Dystopias/Heterotopias
- Spatially based contexts of Gothic (i.e. mythology, folklore, oral traditions)
- Colonial/Postcolonial/Transcultural Gothic
- Dramatic spaces Gothic places and spaces; Psychogeography and the Gothic
- Gothic and Architecture
- Cartography and the Gothic Spatial structures of Gothic
- Cybergothic/Gothic and multimedia/digital media
- Limits and boundaries in the Gothic
- The Gothic and Domestic space
- Locating the Gothic in genre/locating the Gothic in culture
For more information about the conference and the linked festival, please click here.
Limerick School of Art and Design and Mary Immaculate College, Limerick
The Gothic is a mode that is intimately connected to location. Sites and spaces both define and demarcate the limits of Gothic aesthetics and have shaped the way varieties of the Gothic have developed over time. From hazy moors and dense forests, to urban labyrinths, contemporary cyberscapes and postmodern dystopias, the Gothic has traversed many varied landscapes, both internal and external, historic and contemporary, from which fearful and disturbing atmospheres emerge. Psycho-geographical underpinnings in the Gothic are often the basis for key Gothic experiences such as the sublime and the uncanny. The correlations between space and identity, site and narrative, are central to this and evoke new and interesting approaches to Gothic art, literature, and culture. Thus, we seek to engage with the notion of location as it underpins the literary, artistic, and physical formations of Gothic, and as it may allow us to ‘locate’ the Gothic, or versions of the same in artistic, critical and cultural terms. We are particularly interested in papers which approach alternative forms of Gothic spatiality, particularly those which discuss the Gothic in contemporary art and media. Proposals should be e-mailed to Maria Beville and Tracy Fahey by 1st May 2014.
Themes suggested (but not limited to) the following:
- Urban Gothic/Rural Gothic
- Regional Gothic/National Gothic
- Gothic Utopias/Dystopias/Heterotopias
- Spatially based contexts of Gothic (i.e. mythology, folklore, oral traditions)
- Colonial/Postcolonial/Transcultural Gothic
- Dramatic spaces Gothic places and spaces; Psychogeography and the Gothic
- Gothic and Architecture
- Cartography and the Gothic Spatial structures of Gothic
- Cybergothic/Gothic and multimedia/digital media
- Limits and boundaries in the Gothic
- The Gothic and Domestic space
- Locating the Gothic in genre/locating the Gothic in culture
For more information about the conference and the linked festival, please click here.
Tuesday 13 August 2013
CFP: Death and Decay
This call for papers invites submissions from Postgrads or Early Career Researchers on the subject of ‘Death and Decay’ for the third edition of HARTS + Minds, an online journal for students of the Humanities and Arts, which is due to be published online in Winter 2013-14.
All submissions should adhere to the guidelines available on our website www.harts-minds.co.uk and should be sent with an academic CV to the editors by Friday 4th October.
We accept:
- Articles: Send us an abstract (300 words) and your article (no longer than 6000 words) using the article template available on our website.
- Book Reviews: Between 1000 and 1500 words on an academic text that deals with the theme of Death and Decay in some respect. This would preferably be interdisciplinary, but we will accept reviews of subject specific texts.
- Exhibition Reviews: Between 1000 and 1500 words on any event along the lines of an art exhibition, museum collection, academic event or conference review that deals with the theme of Death and Decay in some respect.
- Creative Writing Pieces: Original poetry (up to 3 short or 1 long) or short stories of up to 6,000 words.
Subjects may include but are not limited to the following:
- Medical Humanities (e.g. parasites, disease, autopsy, the cadaver)
- Rituals and rites of the dead in various cultures, Burial practices
- Death and dying in global literatures
- Visual Death; in art, photography, illustration, in film and television, on stage
- Death personified: the Grim Reaper, Yama + Lord of Naraka, Hel, Hades etc.
- The geography of death; real or mythological
- Decay of buildings, bodies, nature, morals
- Reincarnation, immortality, Afterlife, textual afterlives, Eschatology
- The death of discourse, language, the author, God
- Death as taboo
- War and death
- The future of death in a posthuman world
- Hauntings, the undead, vampires, zombies
- The value of Death
- Dirt and debris, Wrecks and ruins, Flotsam and Jetsam
- Elegy, Obituary, the Funeral March, Eulogy
- Monuments, Memorials and the Archive
- Suicide, both literal and metaphorical
Please consider that HARTS + Minds is intended as a truly interdisciplinary journal and therefore esoteric topics will need to be written with a general academic readership in mind.
Further information can be found on the website and you can get updates on our journal on Facebook.
Co Chief Editors
Jen Baker and Daniel Evers
All submissions should adhere to the guidelines available on our website www.harts-minds.co.uk and should be sent with an academic CV to the editors by Friday 4th October.
We accept:
- Articles: Send us an abstract (300 words) and your article (no longer than 6000 words) using the article template available on our website.
- Book Reviews: Between 1000 and 1500 words on an academic text that deals with the theme of Death and Decay in some respect. This would preferably be interdisciplinary, but we will accept reviews of subject specific texts.
- Exhibition Reviews: Between 1000 and 1500 words on any event along the lines of an art exhibition, museum collection, academic event or conference review that deals with the theme of Death and Decay in some respect.
- Creative Writing Pieces: Original poetry (up to 3 short or 1 long) or short stories of up to 6,000 words.
Subjects may include but are not limited to the following:
- Medical Humanities (e.g. parasites, disease, autopsy, the cadaver)
- Rituals and rites of the dead in various cultures, Burial practices
- Death and dying in global literatures
- Visual Death; in art, photography, illustration, in film and television, on stage
- Death personified: the Grim Reaper, Yama + Lord of Naraka, Hel, Hades etc.
- The geography of death; real or mythological
- Decay of buildings, bodies, nature, morals
- Reincarnation, immortality, Afterlife, textual afterlives, Eschatology
- The death of discourse, language, the author, God
- Death as taboo
- War and death
- The future of death in a posthuman world
- Hauntings, the undead, vampires, zombies
- The value of Death
- Dirt and debris, Wrecks and ruins, Flotsam and Jetsam
- Elegy, Obituary, the Funeral March, Eulogy
- Monuments, Memorials and the Archive
- Suicide, both literal and metaphorical
Please consider that HARTS + Minds is intended as a truly interdisciplinary journal and therefore esoteric topics will need to be written with a general academic readership in mind.
Further information can be found on the website and you can get updates on our journal on Facebook.
Co Chief Editors
Jen Baker and Daniel Evers
Monday 12 August 2013
CFP: Little Horrors: Representations of the Monstrous Child
Book Project
Call for Chapters
Gone is the Victorian innocence of childhood. We have entered the age of the monstrous child, the little horror.
Each historical period can be seen to have prioritised a different facet of the child, the Victorian era idolised the innocence of the pre-pubescent child, the twentieth century the disaffected teenager, whilst the early twenty-first sems to be that of the monstrous child. Whilst global organisations such as UNICEF and Save the Children promote the sanctity of childhood as a fundamental human right, popular culture and empirical, sociological data would intimate something else. Here children are not configured as the wealth of the family and the community, but are seen as an economic burden, a luxury or even a parasite. Far from being the repository of all society holds dear about itself, the child becomes something at once uncontrollable and monstrous, not to be loved and cherished but feared and expelled. Whether supernatural or just plain wicked, the child becomes a liminal being caught outside of normalised categorization; not mature, not socilaised, not under the rule of law and not conforming to adult nostagia over what they should be.
Is there a relationship between the declining birth rate in the West and the increasing representation of children as an alien other? However, as witchcraft accusations against children in Africa and representations in the Asian horror film genre show, this is not just a Western phenomenon. So just what are the underlying reasons, if any? This volume aims to assemble the evidence from history, psychology, sociology, literature and media studies to map the extent and meaning of this representational development.
Topics to include:
- Witch children, witchcraft accusations against children, children using witchcraft accusations
- Magical children: children with magical or superhuman powers, the wunderkind
- Werewolves and other shapeshifters: children as animals
- Fairies and changelings: the folklore of strange children
- Undead children: vampires, zombies and others
- Ghosts and demonic children: children possessed, children as demons
- Child crime and culpability: moral evil and legal responsibility
- Monstrous children through history: physical deformity and mental health issues
- Children as embodiments of other aspects of supernatural horror
- The monstrous as a new role model for children
- Children as adults and adults as children
- Society and children and public and private spaces
- Immigration, post-colonialism and foreign adoption
- War children and child soldiers
A brief bio and abstract of circa 300 words should be sent to -
For literature and media studies: Simon Bacon
For history and social sciences: Leo Ruickbie
Deadline for abstracts: 1st September 2013
There's no project page as yet, but you'll find these same details here.
Call for Chapters
Gone is the Victorian innocence of childhood. We have entered the age of the monstrous child, the little horror.
Each historical period can be seen to have prioritised a different facet of the child, the Victorian era idolised the innocence of the pre-pubescent child, the twentieth century the disaffected teenager, whilst the early twenty-first sems to be that of the monstrous child. Whilst global organisations such as UNICEF and Save the Children promote the sanctity of childhood as a fundamental human right, popular culture and empirical, sociological data would intimate something else. Here children are not configured as the wealth of the family and the community, but are seen as an economic burden, a luxury or even a parasite. Far from being the repository of all society holds dear about itself, the child becomes something at once uncontrollable and monstrous, not to be loved and cherished but feared and expelled. Whether supernatural or just plain wicked, the child becomes a liminal being caught outside of normalised categorization; not mature, not socilaised, not under the rule of law and not conforming to adult nostagia over what they should be.
Is there a relationship between the declining birth rate in the West and the increasing representation of children as an alien other? However, as witchcraft accusations against children in Africa and representations in the Asian horror film genre show, this is not just a Western phenomenon. So just what are the underlying reasons, if any? This volume aims to assemble the evidence from history, psychology, sociology, literature and media studies to map the extent and meaning of this representational development.
Topics to include:
- Witch children, witchcraft accusations against children, children using witchcraft accusations
- Magical children: children with magical or superhuman powers, the wunderkind
- Werewolves and other shapeshifters: children as animals
- Fairies and changelings: the folklore of strange children
- Undead children: vampires, zombies and others
- Ghosts and demonic children: children possessed, children as demons
- Child crime and culpability: moral evil and legal responsibility
- Monstrous children through history: physical deformity and mental health issues
- Children as embodiments of other aspects of supernatural horror
- The monstrous as a new role model for children
- Children as adults and adults as children
- Society and children and public and private spaces
- Immigration, post-colonialism and foreign adoption
- War children and child soldiers
A brief bio and abstract of circa 300 words should be sent to -
For literature and media studies: Simon Bacon
For history and social sciences: Leo Ruickbie
Deadline for abstracts: 1st September 2013
There's no project page as yet, but you'll find these same details here.
Thursday 1 August 2013
CFP: Un/making Mistake in Medieval Media (Kalamazoo, 2014)
Organizers: Barbara M. Eggert (Humboldt University, Berlin) and Christine Schott (Erskine College, South Carolina)
Errare humanum est – and just as today, errors and mistakes occurred in every field of medieval culture, concerning the sacred and the secular sphere alike.
During the Holy Mass, priests lost focus, words were omitted from liturgical texts, wine got spilled on sacred garments - and there were texts, of course, telling you how to deal with these failings, how to unmake these mistakes. In the legal context, mistakes of law or fact could have a vital influence on the sentence – therefore, following the Roman Law, errors and mistakes were categorized, classed, and addressed in legal texts. While scholars of medieval arts usually focus on the craftsmanship of the artifacts, errors and mistakes of a different nature are to be found in any genre; some of them, like flaws in pottery, obviously happened accidentally; others, like portraits of figures with two left hands, belong to the category of deliberate mistakes.
As a follow-up of the questions raised in the session Un/making Mistakes in Medieval Manuscripts (Kalamazoo 2013), the purpose of this session is to examine errors and mistakes and the "corrections" thereof from different angles: On the one hand, the sessio_nFocuses on theory by analyzing how medieval scholars of different fields defined error and mistake and the consequences these phenomena could have. What mistakes mattered, and in what context – and (how) could they be corrected? On the other hand, the session is dedicated to the material aspects of error, that is the exploration of mistakes in medieval artifacts. It invites paper proposals from both scholars of text as well as scholars of images of any genre (manuscripts, textiles, stained glass windows, etc.) that explore the nature of errors, mistakes, and obscurities in medieval media as well as the “corrections” thereof to gain insight into the contemporary assumptions about what a particular medium should look like.
The session welcomes papers from all disciplines.
Please send your abstract, along with a short CV and the paper proposal form (which you can download here) to Barbara M. Eggert and Christine Schott by September 1, 2013.
Errare humanum est – and just as today, errors and mistakes occurred in every field of medieval culture, concerning the sacred and the secular sphere alike.
During the Holy Mass, priests lost focus, words were omitted from liturgical texts, wine got spilled on sacred garments - and there were texts, of course, telling you how to deal with these failings, how to unmake these mistakes. In the legal context, mistakes of law or fact could have a vital influence on the sentence – therefore, following the Roman Law, errors and mistakes were categorized, classed, and addressed in legal texts. While scholars of medieval arts usually focus on the craftsmanship of the artifacts, errors and mistakes of a different nature are to be found in any genre; some of them, like flaws in pottery, obviously happened accidentally; others, like portraits of figures with two left hands, belong to the category of deliberate mistakes.
As a follow-up of the questions raised in the session Un/making Mistakes in Medieval Manuscripts (Kalamazoo 2013), the purpose of this session is to examine errors and mistakes and the "corrections" thereof from different angles: On the one hand, the sessio_nFocuses on theory by analyzing how medieval scholars of different fields defined error and mistake and the consequences these phenomena could have. What mistakes mattered, and in what context – and (how) could they be corrected? On the other hand, the session is dedicated to the material aspects of error, that is the exploration of mistakes in medieval artifacts. It invites paper proposals from both scholars of text as well as scholars of images of any genre (manuscripts, textiles, stained glass windows, etc.) that explore the nature of errors, mistakes, and obscurities in medieval media as well as the “corrections” thereof to gain insight into the contemporary assumptions about what a particular medium should look like.
The session welcomes papers from all disciplines.
Please send your abstract, along with a short CV and the paper proposal form (which you can download here) to Barbara M. Eggert and Christine Schott by September 1, 2013.
Tuesday 30 July 2013
CFP: Revisiting the Legacy of Boethius in the Middle Ages
Harvard University, March 13-15, 2014
For the conference website, please click here.
The legacy of Boethius in the Middle Ages has been enjoying a resurgence of interest in recent years, with new editions, translations, and studies that place his profound influence in a new light. The Alfredian Boethius project of Oxford University, to pick just one example, has produced a critical edition of the Old English Boethius (2009), and the spinoff database of the commentary tradition will almost certainly change our understanding of the broader reception of The Consolation of Philosophy across medieval Europe. Other recent work has revisited the legacy of Boethius in the fields of music, philosophy, poetry, and theology, and the Companion to Boethius in the Middle Ages (2012) will stimulate future scholarship and teaching.
This conference invites proposals on the early reception of Boethius and his influence on readers and writers in medieval England and continental Europe. Possible topics include vernacular translations and transformations; Neoplatonism and the philosophical tradition; adaptations of Boethian prosimetrum; Boethian afterlives in poetry, music, and the visual arts; and new findings from the Latin commentary tradition, among others.
The conference will be hosted by Harvard University’s English Department and the Standing Committee on Medieval Studies, with support from the Morton Bloomfield Fund and the International Boethius Society. We are pleased to announce that Ann Astell (University of Notre Dame), Susan Irvine (University College London), and Eleanor Johnson (Columbia University) will be giving the conference’s plenary addresses. Presentations should be no longer than twenty minutes. Potential presenters should s_ubmit an abstract of approximately 250 words to the conference convenors. Abstracts are due by October 1, 2013.
For the conference website, please click here.
The legacy of Boethius in the Middle Ages has been enjoying a resurgence of interest in recent years, with new editions, translations, and studies that place his profound influence in a new light. The Alfredian Boethius project of Oxford University, to pick just one example, has produced a critical edition of the Old English Boethius (2009), and the spinoff database of the commentary tradition will almost certainly change our understanding of the broader reception of The Consolation of Philosophy across medieval Europe. Other recent work has revisited the legacy of Boethius in the fields of music, philosophy, poetry, and theology, and the Companion to Boethius in the Middle Ages (2012) will stimulate future scholarship and teaching.
This conference invites proposals on the early reception of Boethius and his influence on readers and writers in medieval England and continental Europe. Possible topics include vernacular translations and transformations; Neoplatonism and the philosophical tradition; adaptations of Boethian prosimetrum; Boethian afterlives in poetry, music, and the visual arts; and new findings from the Latin commentary tradition, among others.
The conference will be hosted by Harvard University’s English Department and the Standing Committee on Medieval Studies, with support from the Morton Bloomfield Fund and the International Boethius Society. We are pleased to announce that Ann Astell (University of Notre Dame), Susan Irvine (University College London), and Eleanor Johnson (Columbia University) will be giving the conference’s plenary addresses. Presentations should be no longer than twenty minutes. Potential presenters should s_ubmit an abstract of approximately 250 words to the conference convenors. Abstracts are due by October 1, 2013.
CFP: Religious Men in the Middle Ages: Networks and Communities
3-5 July 2014
University of Lincoln, UK
Call for Papers
This conference seeks to explore and re-evaluate the forms and functions of networks and communities for men in the middle ages. We invite papers which consider these in relation to professed religious men and/or laymen of any faith. Scholars are increasingly engaging with what religion, belief and devotion meant to men as men. Networks and communities both shape and express individual, relational, and collective identities, and therefore shed useful light on the experiences, perceptions or depiction of medieval men. This is the second conference under the auspices of The Bishop’s Eye Network – a research network between the Universities of Huddersfield and Lincoln. The first, ‘Religious Men in the Middle Ages’, was held at Huddersfield in 2012.
We invite abstracts from scholars at all career stages working on the interplay between men in networks and communities; how they are constituted and what they mean. Papers may focus on homosocial networks and communities or male involvement in female networks and communities.
Topics for discussion could include networks and communities defined by:
- Family and kinship
- Intellectual connections (e.g. textual communities, scholasticism)
- Profession and Occupation
- Orders, universities, monastic, mendicant, and secular houses
- Patronage and affinity
- Geography and location
- Guilds and confraternities
- Military experience (e.g. comitati, warbands, orders of chivalry)
- Friendship and emotional bonds (e.g. amicitia, love)
- Ethnicity and inter-cultural encounters
Papers could consider individuals or groups from any faith, religious tradition, monotheistic, pagan, or heretical, or could focus on men who rejected religion and faith. We encourage proposals from scholars working in any relevant field: history, literature and language, art history, musicology, archaeology, etc., and from any medieval period (c. 300–early 1500s) or geographical setting.
The conference will be held at the Brayford Campus, which is a few minutes’ walk from the train station, and within easy reach of the cathedral and castle. The conference organisers are Dr Philippa Hoskin and Dr Joanna Huntington. For further information on Lincoln please click here (a conference website is under construction).
We hope to publish a volume of essays based on a selection of the papers delivered at the conference.
Proposals, of 200-300 words, for papers of 20 minutes, should be submitted to the conference convenors by 30 September 2013.
University of Lincoln, UK
Call for Papers
This conference seeks to explore and re-evaluate the forms and functions of networks and communities for men in the middle ages. We invite papers which consider these in relation to professed religious men and/or laymen of any faith. Scholars are increasingly engaging with what religion, belief and devotion meant to men as men. Networks and communities both shape and express individual, relational, and collective identities, and therefore shed useful light on the experiences, perceptions or depiction of medieval men. This is the second conference under the auspices of The Bishop’s Eye Network – a research network between the Universities of Huddersfield and Lincoln. The first, ‘Religious Men in the Middle Ages’, was held at Huddersfield in 2012.
We invite abstracts from scholars at all career stages working on the interplay between men in networks and communities; how they are constituted and what they mean. Papers may focus on homosocial networks and communities or male involvement in female networks and communities.
Topics for discussion could include networks and communities defined by:
- Family and kinship
- Intellectual connections (e.g. textual communities, scholasticism)
- Profession and Occupation
- Orders, universities, monastic, mendicant, and secular houses
- Patronage and affinity
- Geography and location
- Guilds and confraternities
- Military experience (e.g. comitati, warbands, orders of chivalry)
- Friendship and emotional bonds (e.g. amicitia, love)
- Ethnicity and inter-cultural encounters
Papers could consider individuals or groups from any faith, religious tradition, monotheistic, pagan, or heretical, or could focus on men who rejected religion and faith. We encourage proposals from scholars working in any relevant field: history, literature and language, art history, musicology, archaeology, etc., and from any medieval period (c. 300–early 1500s) or geographical setting.
The conference will be held at the Brayford Campus, which is a few minutes’ walk from the train station, and within easy reach of the cathedral and castle. The conference organisers are Dr Philippa Hoskin and Dr Joanna Huntington. For further information on Lincoln please click here (a conference website is under construction).
We hope to publish a volume of essays based on a selection of the papers delivered at the conference.
Proposals, of 200-300 words, for papers of 20 minutes, should be submitted to the conference convenors by 30 September 2013.
CFP: Suffragette Legacy: How Does the History of Feminism Inspire Current Thinking in Manchester?
Saturday 8 March 2014
Call for Papers
From The Village and David Bowie’s Suffragette City to Femen activists and Pussy Riot, the suffragette legacy is everywhere in modern culture.
As part of the Manchester Wonder Women events celebrating International Women’s Day 2014, this one-day conference seeks to bring together academics, artists, politicians and activists to present and speak about how their work is affected by the suffragette legacy of feminism.
Welcoming academic papers, feminist theory, dance, music or other, this one-day conference wishes to bring together different people to reflect on the important, but often complex, legacy of the suffragettes. Within an interdisciplinary context we wish to explore if, how and why the movement still matters in politics, academia, the arts and other aspects of modern Manchester.
Papers or submissions are welcome from any background, but special consideration will be given to anyone who directly engages with the Manchester history of the women’s movement.
Send your proposed paper, project or idea to the conference convenors by 15 October 2013 at 12pm. We will let you know if you have been successful by 1st November. If your work has a particularly visual or performance element, do send us lots of details about it. We are hoping to display related materials, objects and artworks, so any visual output is welcome in the planning stages.
Venue: People’s History Museum, Left Bank, Spinningfields, Manchester M3 3ER. For directions, please click here.
Fee: £25/£15 (concessions, students or unwaged - proof required); bursaries may be available in the Autumn
Twitter: @wonderwomenmcr
Websites: Wonder Women and blog
Call for Papers
From The Village and David Bowie’s Suffragette City to Femen activists and Pussy Riot, the suffragette legacy is everywhere in modern culture.
As part of the Manchester Wonder Women events celebrating International Women’s Day 2014, this one-day conference seeks to bring together academics, artists, politicians and activists to present and speak about how their work is affected by the suffragette legacy of feminism.
Welcoming academic papers, feminist theory, dance, music or other, this one-day conference wishes to bring together different people to reflect on the important, but often complex, legacy of the suffragettes. Within an interdisciplinary context we wish to explore if, how and why the movement still matters in politics, academia, the arts and other aspects of modern Manchester.
Papers or submissions are welcome from any background, but special consideration will be given to anyone who directly engages with the Manchester history of the women’s movement.
Send your proposed paper, project or idea to the conference convenors by 15 October 2013 at 12pm. We will let you know if you have been successful by 1st November. If your work has a particularly visual or performance element, do send us lots of details about it. We are hoping to display related materials, objects and artworks, so any visual output is welcome in the planning stages.
Venue: People’s History Museum, Left Bank, Spinningfields, Manchester M3 3ER. For directions, please click here.
Fee: £25/£15 (concessions, students or unwaged - proof required); bursaries may be available in the Autumn
Twitter: @wonderwomenmcr
Websites: Wonder Women and blog
Thursday 18 July 2013
CFP: 15th Global Conference: Perspectives on Evil and Human Wickedness
Saturday 22nd March – Monday 24th March 2014
Prague, Czech Republic
Call for Presentations
This inter-disciplinary and multi-disciplinary conference seeks to examine and explore issues surrounding evil and human wickedness. In wrestling with evil(s) we are confronted with a multi-layered phenomenon which invites people from all disciplines, professions and vocations to come together in dialogue and wrestle with questions that cross the boundaries of the intellectual, the emotional and the personal. Underlying these efforts there is the sense that in grappling with evil we are in fact grappling with questions and issues of our own humanity.
The complex nature of evil is reflected in this call for presentations: in recognising that no one approach or perspective can adequately do justice to what we mean by evil, so there is an equal recognition that no one form of presentation ought to take priority over others. We solicit contributions which may be
~ papers, panels, workshops, reports
~ case studies
~ performance pieces; dramatic readings; poetic renditions; short stories; creative writings
~ works of art; works of music
We will also consider other forms of contribution. Successful proposals will normally be given a 20 minute presentation space. Perspectives are sought from all academic disciplines along with, for example, those working in the caring professions, journalism, the media, the military, prison services, politics, psychiatry and other work-related, ngo and vocational areas.
Key themes for reflection may include, but are not limited to:
-what is evil?
-is there ‘new’ evil, or are evil acts/events pretty much the same across time with only our interpretive lenses changing as cultures shift?
-the nature and sources of evil and human wickedness
-evil animals? Wicked creatures?
-the places and spaces of evil
-crimes, criminals and justice
-psychopathic behaviour – mad or bad?
-villains, wicked characters and heroes
-vice and virtue
-choice, responsibility, and diminished responsibility
-social and cultural reactions to evil and human wickedness
-political evils; evil, power and the state
-evil and gender; evil and the feminine
-evil children
-hell, hells, damnation: evil and the afterlife
-the portrayal of evil and human wickedness in the media and popular culture
-suffering in literature and film
-individual acts of evil, group violence, holocaust and genocide; obligations of bystanders
-terrorism, war, ethnic cleansing
-fear, terror, horror
-the search for meaning and sense in evil and human wickedness
-the nature and tasks of theodicy
-religious understandings of evil and human wickedness
-postmodern approaches to evil and human wickedness
-ecocriticism, evil and suffering
-evil and the use/abuse of technology; evil in cyberspace
The Steering Group also welcomes the submission of pre-formed panel proposals.
What to Send
300 word abstracts should be submitted by Friday 10th October 2013. All submissions are at least double blind peer reviewed. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 17th January 2014. Abstracts should be submitted simultaneously to the Organising Chairs; abstracts may be in Word or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract f) up to 10 key words
E-mails should be entitled: Evil15 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Stephen Morris
Rob Fisher
The conference is part of the At the Interface programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
Prague, Czech Republic
Call for Presentations
This inter-disciplinary and multi-disciplinary conference seeks to examine and explore issues surrounding evil and human wickedness. In wrestling with evil(s) we are confronted with a multi-layered phenomenon which invites people from all disciplines, professions and vocations to come together in dialogue and wrestle with questions that cross the boundaries of the intellectual, the emotional and the personal. Underlying these efforts there is the sense that in grappling with evil we are in fact grappling with questions and issues of our own humanity.
The complex nature of evil is reflected in this call for presentations: in recognising that no one approach or perspective can adequately do justice to what we mean by evil, so there is an equal recognition that no one form of presentation ought to take priority over others. We solicit contributions which may be
~ papers, panels, workshops, reports
~ case studies
~ performance pieces; dramatic readings; poetic renditions; short stories; creative writings
~ works of art; works of music
We will also consider other forms of contribution. Successful proposals will normally be given a 20 minute presentation space. Perspectives are sought from all academic disciplines along with, for example, those working in the caring professions, journalism, the media, the military, prison services, politics, psychiatry and other work-related, ngo and vocational areas.
Key themes for reflection may include, but are not limited to:
-what is evil?
-is there ‘new’ evil, or are evil acts/events pretty much the same across time with only our interpretive lenses changing as cultures shift?
-the nature and sources of evil and human wickedness
-evil animals? Wicked creatures?
-the places and spaces of evil
-crimes, criminals and justice
-psychopathic behaviour – mad or bad?
-villains, wicked characters and heroes
-vice and virtue
-choice, responsibility, and diminished responsibility
-social and cultural reactions to evil and human wickedness
-political evils; evil, power and the state
-evil and gender; evil and the feminine
-evil children
-hell, hells, damnation: evil and the afterlife
-the portrayal of evil and human wickedness in the media and popular culture
-suffering in literature and film
-individual acts of evil, group violence, holocaust and genocide; obligations of bystanders
-terrorism, war, ethnic cleansing
-fear, terror, horror
-the search for meaning and sense in evil and human wickedness
-the nature and tasks of theodicy
-religious understandings of evil and human wickedness
-postmodern approaches to evil and human wickedness
-ecocriticism, evil and suffering
-evil and the use/abuse of technology; evil in cyberspace
The Steering Group also welcomes the submission of pre-formed panel proposals.
What to Send
300 word abstracts should be submitted by Friday 10th October 2013. All submissions are at least double blind peer reviewed. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 17th January 2014. Abstracts should be submitted simultaneously to the Organising Chairs; abstracts may be in Word or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract f) up to 10 key words
E-mails should be entitled: Evil15 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Stephen Morris
Rob Fisher
The conference is part of the At the Interface programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting.
For further details of the conference, please click here.
Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.
CFP: Gender and Medieval Studies Conference 2014
9‐11 January
The University of Winchester
Gender and Status
Keynote speaker: Barbara Yorke, Professor Emerita of Early Medieval History, University of Winchester
In a social hierarchy, gender and status are closely interrelated. These beliefs create constraining bonds, which can limit but also encourage attempts to circumvent them. We can discern different methods of both manoeuvring within social status and also breaking free of it.
The extent to which gender determines and informs status has led to different medieval explanations of this system. The 2014 Gender and Medieval Studies Conference welcomes a range of multifaceted or interdisciplinary approaches to the topic of Gender and Status in the Middle Ages. The examination of both femininities and masculinities, individually or in conjunction to each other, with theoretical or interpretive approaches from literature, history, art history, archaeology, music history, philosophy, theology or any related discipline are especially desired. We would also like to offer early‐stage postgraduate students the opportunity to share their research in progress through poster presentations.
Areas that could be explored (but are not limited to) include:
- Economics
- Social status
- Mobility
- Employment
- Corpus Christi
- Spheres of influence
- Life cycles
- Access to power
- Authority
- The concept of ‘status’
- Servitude and slavery
- Marital status
- Sexuality
- Poverty
The GMS 2014 will include a round table on gender and pedagogy, and we are seeking academics with teaching experience from a wide range of disciplines to participate.
We invite proposals for 20‐minute papers or posters on any aspect of this topic. Please e‐mail proposals of approximately 250 words, including your contact details and affiliation (if applicable), to the conference convenors by 2 September 2013. For session proposals, please include all participants’ names, affiliations, paper titles and abstracts. If you would like to participate in the pedagogy round table, please express your interest to the committee at the same email address.
The University of Winchester
Gender and Status
Keynote speaker: Barbara Yorke, Professor Emerita of Early Medieval History, University of Winchester
In a social hierarchy, gender and status are closely interrelated. These beliefs create constraining bonds, which can limit but also encourage attempts to circumvent them. We can discern different methods of both manoeuvring within social status and also breaking free of it.
The extent to which gender determines and informs status has led to different medieval explanations of this system. The 2014 Gender and Medieval Studies Conference welcomes a range of multifaceted or interdisciplinary approaches to the topic of Gender and Status in the Middle Ages. The examination of both femininities and masculinities, individually or in conjunction to each other, with theoretical or interpretive approaches from literature, history, art history, archaeology, music history, philosophy, theology or any related discipline are especially desired. We would also like to offer early‐stage postgraduate students the opportunity to share their research in progress through poster presentations.
Areas that could be explored (but are not limited to) include:
- Economics
- Social status
- Mobility
- Employment
- Corpus Christi
- Spheres of influence
- Life cycles
- Access to power
- Authority
- The concept of ‘status’
- Servitude and slavery
- Marital status
- Sexuality
- Poverty
The GMS 2014 will include a round table on gender and pedagogy, and we are seeking academics with teaching experience from a wide range of disciplines to participate.
We invite proposals for 20‐minute papers or posters on any aspect of this topic. Please e‐mail proposals of approximately 250 words, including your contact details and affiliation (if applicable), to the conference convenors by 2 September 2013. For session proposals, please include all participants’ names, affiliations, paper titles and abstracts. If you would like to participate in the pedagogy round table, please express your interest to the committee at the same email address.
Tuesday 16 July 2013
CFP: Ghosts, Gremlins and Jedi: Fantasy and Film in the Long 1980s
Manchester, United Kingdom
Friday 25th – Saturday 26th April 2014
Call for Papers
From sci-fi epic to swords and sorcery, from urban ghosts to time travel, fantasy dominated the cinema of the 1980s. Hand-in-hand with these wild flights of imagination came the rise of new technologies of spectatorship (particularly VHS and the home VCR) and dramatic political change in both the West and the East. This two-day conference aims to interrogate the place of fantasy in the history of the 1980s – its construction, context and legacy.
Abstracts are sought for 20-minute papers that consider any aspect of fantasy and film in the long 1980s (roughly understood as 1977-1992, though films that fall outside these dates may be considered). Topics may include, but are not limited to:
- Cinematography and special effects
- Soundtracks and music
- Gender and sexuality in fantasy
- The family in film
- Fantasy film in political and social contexts
- The end of the Cold War – fantasy in the run-up to 1989
- The video generation – technologies of viewing
- Spin-offs, tie-ins and novelizations
- Visions of the future
- Representations of technology
- Fantasy’s legacy – what came next?
Papers may consider individual films, or take a broader view of film and genre. Papers on non-Hollywood or non-Anglophone films are particularly welcome.
Please send abstracts (200-300 words) to Rob Shedwick by Tuesday 24th December 2013. Any enquiries should be sent to the same address.
This conference is organized by Hic Dragones. For more information about our work, and about past conferences, please visit the website.
Friday 25th – Saturday 26th April 2014
Call for Papers
From sci-fi epic to swords and sorcery, from urban ghosts to time travel, fantasy dominated the cinema of the 1980s. Hand-in-hand with these wild flights of imagination came the rise of new technologies of spectatorship (particularly VHS and the home VCR) and dramatic political change in both the West and the East. This two-day conference aims to interrogate the place of fantasy in the history of the 1980s – its construction, context and legacy.
Abstracts are sought for 20-minute papers that consider any aspect of fantasy and film in the long 1980s (roughly understood as 1977-1992, though films that fall outside these dates may be considered). Topics may include, but are not limited to:
- Cinematography and special effects
- Soundtracks and music
- Gender and sexuality in fantasy
- The family in film
- Fantasy film in political and social contexts
- The end of the Cold War – fantasy in the run-up to 1989
- The video generation – technologies of viewing
- Spin-offs, tie-ins and novelizations
- Visions of the future
- Representations of technology
- Fantasy’s legacy – what came next?
Papers may consider individual films, or take a broader view of film and genre. Papers on non-Hollywood or non-Anglophone films are particularly welcome.
Please send abstracts (200-300 words) to Rob Shedwick by Tuesday 24th December 2013. Any enquiries should be sent to the same address.
This conference is organized by Hic Dragones. For more information about our work, and about past conferences, please visit the website.
Wednesday 10 July 2013
CFP: Old and Middle English Studies: Texts and Sources
3-5 September 2014
Institute of English Studies, Senate House, University of London
A joint international conference with Keio University, Tokyo
Call for Papers
The study of Old and Middle English sources is critical for an understanding of medieval language and literature in the British Isles. This joint conference aims to open up and explore new ways for intellectual exchange and collaboration between scholars working in any aspect of medieval English, in London and Japan especially. The theme for the 2014 conference is ‘Texts and Sources’. Papers will be selected for their ability to link various branches of learning that touch upon Old and Middle English studies, including such topics as history, language, literature, philology, to name just a few. The conference will be accompanied by a special exhibit of manuscripts from medieval and early modern times curated with a view to illustrating the central theme of the proceedings.
Conference organizers, Keio University (Tokyo) and the Institute of English Studies (London), invite scholars to submit abstracts of up to 250 words directly to ieskeio.conference@gmail.com, not later than 1st December 2013.
Papers on the following topics with special emphasis on Japanese and/or British research will be encouraged, although papers with wider scope will not be excluded:
- Digital humanities and virtual libraries
- Interconnections between Old and Middle English scholarship
- Manuscript studies
- Medievalism
- Teaching Old and Middle English
- Translating Old and Middle English into modern languages
Other general topics might include:
- Multiculturalism/multilingualism in the Middle Ages
- Old and Middle English literature and literary culture
- Old and Middle English philology: texts and contexts
- Old and Middle English: synchronic and diachronic studies
- Old and Middle English translations and their sources
- Sources for Old and Middle English culture
The School of Advanced Study is part of the central University of London. The School takes its responsibility to visitors with special needs very seriously and will endeavour to make reasonable adjustments to its facilities in order to accommodate the needs of such visitors. If you have a particular requirement, please feel free to discuss it confidentially with the organiser in advance of the event taking place.
Enquiries: Events Officer, Institute of English Studies, Senate House, Malet Street, London WC1E 7HU; tel +44 (0) 207 664 4859; email.
Institute of English Studies, Senate House, University of London
A joint international conference with Keio University, Tokyo
Call for Papers
The study of Old and Middle English sources is critical for an understanding of medieval language and literature in the British Isles. This joint conference aims to open up and explore new ways for intellectual exchange and collaboration between scholars working in any aspect of medieval English, in London and Japan especially. The theme for the 2014 conference is ‘Texts and Sources’. Papers will be selected for their ability to link various branches of learning that touch upon Old and Middle English studies, including such topics as history, language, literature, philology, to name just a few. The conference will be accompanied by a special exhibit of manuscripts from medieval and early modern times curated with a view to illustrating the central theme of the proceedings.
Conference organizers, Keio University (Tokyo) and the Institute of English Studies (London), invite scholars to submit abstracts of up to 250 words directly to ieskeio.conference@gmail.com, not later than 1st December 2013.
Papers on the following topics with special emphasis on Japanese and/or British research will be encouraged, although papers with wider scope will not be excluded:
- Digital humanities and virtual libraries
- Interconnections between Old and Middle English scholarship
- Manuscript studies
- Medievalism
- Teaching Old and Middle English
- Translating Old and Middle English into modern languages
Other general topics might include:
- Multiculturalism/multilingualism in the Middle Ages
- Old and Middle English literature and literary culture
- Old and Middle English philology: texts and contexts
- Old and Middle English: synchronic and diachronic studies
- Old and Middle English translations and their sources
- Sources for Old and Middle English culture
The School of Advanced Study is part of the central University of London. The School takes its responsibility to visitors with special needs very seriously and will endeavour to make reasonable adjustments to its facilities in order to accommodate the needs of such visitors. If you have a particular requirement, please feel free to discuss it confidentially with the organiser in advance of the event taking place.
Enquiries: Events Officer, Institute of English Studies, Senate House, Malet Street, London WC1E 7HU; tel +44 (0) 207 664 4859; email.
Friday 5 July 2013
CFP: Kalamazoo 2014 Sessions
The 49th International Congress of Medieval Studies
Western Michigan University, Kalamazoo, MI, USA
May 8-11, 2014
Three sessions at next year's International Congress of Medieval Studies - please note that different sessions are organized by different people, so please use the correct contact details if submitting abstracts.
Shock! Horror! Didacticism and Diversion in Medieval Biblical Narratives
This session will address the functions and effects of the amplification of “shock” and “horror” in medieval vernacular and visual adaptations of Old and New Testament narratives. They will ask where the opening up of the Word of God for the spiritual edification of the “lewd [common] man” meets up with the exploiting of the dramatic potential in biblical stories for diversion and entertainment – or even titillation. It has been appreciated that Latin works such as Peter Comestor's Historia scholastica (c. 1173) in a sense legitimized the Bible as an “entertaining narrative” (James Morey, 1993); however, assumptions concerning and/or emphases on the moralizing quality of biblical re-imaginings have arguably prevented scholars from considering in detail where vernacular and visual works may be located along what might be termed a “didacticism-diversion spectrum.” This somewhat neglected area of research calls for a multi-disciplinary engagement and dialogue. Papers are sought from across literary studies, art and visual studies, and drama and performance studies. The sessions will appeal to scholars interested in: textual and cultural transmission of biblical stories; the burgeoning study of emotion; the interrelationships of text, image and drama; and the development of popular theology. Papers addressing poetry, prose or drama in the English vernaculars – both Old and Middle English – are especially encouraged, though other vernacular languages will also be considered, particularly if the paper has a comparative approach. Papers addressing visual studies should focus on biblical narrative artwork from England (e.g. The Illustrated Old English Hexateuch; the Holkham Bible), though insular and European continental works may also be considered if they are addressed comparatively with English works. “Shock” and “horror” may be interpreted fairly broadly, but emphasis on the deployment of violence and/or sex will especially be appreciated.
Please send abstracts of no more than 250 words together with a completed Participation Form (available here) to session organizer Chris Monk by September 15, 2013. Please include your name, title, and affiliation on the abstract. Abstracts not accepted for this session will be forwarded to the Congress committee for consideration of inclusion in general sessions, as stipulated in Congress policy.
Monsters I: Monstrous Gender
Sponsored by MEARCSTAPA (Monsters: the Experimental Association for the Research of Cryptozoology through Scholarly Theory And Practical Application)
Recent trends in monster scholarship are developing a strong focus on the imbrications of monstrosity and gender. We are looking for papers that address the intersection of gender and monstrosity in interesting, unusual, provocative and meaningful ways. We especially encourage papers that seek to move beyond the more traditional uses of monster and gender theories in medieval studies to consider how these categories of thinking can intersect, challenge, problematize, corroborate, support, and inform one another. Interdisciplinary approaches including but not limited to the consideration of monstrous gender in literature, language, history, art history, architecture, philosophy, religion, politics, and/or cultural studies are highly welcome.
Please send abstracts of no more than 250 words together with a completed Participant Information Form (available here) to session organizers Melissa Ridley Elmes or Asa Simon Mittman by September 15. Please include your name, title, and affiliation on the abstract itself. Abstracts will be posted to the MEARCSTAPA blog, and all abstracts not accepted for the session will be forwarded to Congress administrators for consideration in general sessions, as per Congress regulations.
Monsters II: Parallel Worlds: Monstrous Voyages, Monstrous Visitors
Sponsored by MEARCSTAPA (Monsters: the Experimental Association for the Research of Cryptozoology through Scholarly Theory And Practical Application)
Refraction, reflection, intrusion, illusion, overlay, visitation, wandering, straying: parallel worlds double and haunt medieval landscapes, providing voyage destinations and otherworldly visitors. Medieval worlds are not unitary or univocal, as refugees seek Torelore and the Pays de Cocagne; as chroniclers record or imagine far-off Carthage and Jerusalem; as the secular world finds itself invaded by hellish demons or heavenly angels; as saints and mystics simultaneously inhabit this world and the next. What can other worlds, or other temporalities, tell us about how medieval cultures understood the quotidian or secular world? How does the ingress of or egress to various worlds beyond establish or erode the definition of the here-and-now? Are all such intrusions monstrous? Does monstrosity necessitate intrusion from beyond? We invite papers from all disciplines and national traditions, on topics that might include the double presence of life and death, profane and sacred, self and other, animal and human, native and foreigner, male and female, straight and queer, past, future, and present.
Please send abstracts of no more than 250 words together with a completed Participant Information Form (available here) to session organizers Stefanie Goyette or Asa Simon Mittman by September 15. Please include your name, title, and affiliation on the abstract itself. Abstracts will be posted to the MEARCSTAPA blog, and all abstracts not accepted for the session will be forwarded to Congress administrators for consideration in general sessions, as per Congress regulations.
Western Michigan University, Kalamazoo, MI, USA
May 8-11, 2014
Three sessions at next year's International Congress of Medieval Studies - please note that different sessions are organized by different people, so please use the correct contact details if submitting abstracts.
Shock! Horror! Didacticism and Diversion in Medieval Biblical Narratives
This session will address the functions and effects of the amplification of “shock” and “horror” in medieval vernacular and visual adaptations of Old and New Testament narratives. They will ask where the opening up of the Word of God for the spiritual edification of the “lewd [common] man” meets up with the exploiting of the dramatic potential in biblical stories for diversion and entertainment – or even titillation. It has been appreciated that Latin works such as Peter Comestor's Historia scholastica (c. 1173) in a sense legitimized the Bible as an “entertaining narrative” (James Morey, 1993); however, assumptions concerning and/or emphases on the moralizing quality of biblical re-imaginings have arguably prevented scholars from considering in detail where vernacular and visual works may be located along what might be termed a “didacticism-diversion spectrum.” This somewhat neglected area of research calls for a multi-disciplinary engagement and dialogue. Papers are sought from across literary studies, art and visual studies, and drama and performance studies. The sessions will appeal to scholars interested in: textual and cultural transmission of biblical stories; the burgeoning study of emotion; the interrelationships of text, image and drama; and the development of popular theology. Papers addressing poetry, prose or drama in the English vernaculars – both Old and Middle English – are especially encouraged, though other vernacular languages will also be considered, particularly if the paper has a comparative approach. Papers addressing visual studies should focus on biblical narrative artwork from England (e.g. The Illustrated Old English Hexateuch; the Holkham Bible), though insular and European continental works may also be considered if they are addressed comparatively with English works. “Shock” and “horror” may be interpreted fairly broadly, but emphasis on the deployment of violence and/or sex will especially be appreciated.
Please send abstracts of no more than 250 words together with a completed Participation Form (available here) to session organizer Chris Monk by September 15, 2013. Please include your name, title, and affiliation on the abstract. Abstracts not accepted for this session will be forwarded to the Congress committee for consideration of inclusion in general sessions, as stipulated in Congress policy.
Monsters I: Monstrous Gender
Sponsored by MEARCSTAPA (Monsters: the Experimental Association for the Research of Cryptozoology through Scholarly Theory And Practical Application)
Recent trends in monster scholarship are developing a strong focus on the imbrications of monstrosity and gender. We are looking for papers that address the intersection of gender and monstrosity in interesting, unusual, provocative and meaningful ways. We especially encourage papers that seek to move beyond the more traditional uses of monster and gender theories in medieval studies to consider how these categories of thinking can intersect, challenge, problematize, corroborate, support, and inform one another. Interdisciplinary approaches including but not limited to the consideration of monstrous gender in literature, language, history, art history, architecture, philosophy, religion, politics, and/or cultural studies are highly welcome.
Please send abstracts of no more than 250 words together with a completed Participant Information Form (available here) to session organizers Melissa Ridley Elmes or Asa Simon Mittman by September 15. Please include your name, title, and affiliation on the abstract itself. Abstracts will be posted to the MEARCSTAPA blog, and all abstracts not accepted for the session will be forwarded to Congress administrators for consideration in general sessions, as per Congress regulations.
Monsters II: Parallel Worlds: Monstrous Voyages, Monstrous Visitors
Sponsored by MEARCSTAPA (Monsters: the Experimental Association for the Research of Cryptozoology through Scholarly Theory And Practical Application)
Refraction, reflection, intrusion, illusion, overlay, visitation, wandering, straying: parallel worlds double and haunt medieval landscapes, providing voyage destinations and otherworldly visitors. Medieval worlds are not unitary or univocal, as refugees seek Torelore and the Pays de Cocagne; as chroniclers record or imagine far-off Carthage and Jerusalem; as the secular world finds itself invaded by hellish demons or heavenly angels; as saints and mystics simultaneously inhabit this world and the next. What can other worlds, or other temporalities, tell us about how medieval cultures understood the quotidian or secular world? How does the ingress of or egress to various worlds beyond establish or erode the definition of the here-and-now? Are all such intrusions monstrous? Does monstrosity necessitate intrusion from beyond? We invite papers from all disciplines and national traditions, on topics that might include the double presence of life and death, profane and sacred, self and other, animal and human, native and foreigner, male and female, straight and queer, past, future, and present.
Please send abstracts of no more than 250 words together with a completed Participant Information Form (available here) to session organizers Stefanie Goyette or Asa Simon Mittman by September 15. Please include your name, title, and affiliation on the abstract itself. Abstracts will be posted to the MEARCSTAPA blog, and all abstracts not accepted for the session will be forwarded to Congress administrators for consideration in general sessions, as per Congress regulations.
Tuesday 18 June 2013
CFP: Being Beyond Boundaries: Dissolving (Species) Hierarchy in Contemporary Culture
John Galsworthy Building, Penrhyn road, Kingston University, Kingston, Surrey KT1 2EE
Saturday 5th October
Kingston University, London
In her recent work on human-animal encounter, Donna Haraway asks us to consider ‘who “we” will become when species meet’. At the centre of Haraway’s question is a concern for the mutuality of species, and a desire to reconfigure those Enlightenment inheritances which dialectically position ‘animal’ as the other of ‘human’. Such interests demand a reappraisal not merely of humanist discourse, but also of related questions regarding ethics and responsibility.
This one day symposium hosted in conjunction with Cultural Histories at Kingston aims to consider how contemporary cultural texts in their broadest definition (literature, performance, creative writing, film and television) not only engage with the human-animal encounter, but also how this relationship might speak to a transformative social discourse in terms of ‘beingist’ agendas that interrogate not only humanist allegiances, but also more traditional identity politics.
Confirmed guest speaker: Professor John Mullarkey, Professor of Film and Television, Kingston University.
The organisers welcome 20 minute papers that speak to any aspect of this theme, which might include, but are not limited to:
Animal-human encounters
Animal as metaphor/anti-metaphor
Animal-human transformations
Performing the ‘animal’
The animal other in popular culture
'Beingist’ interrogations of identity politics
Revisions of humanism/ posthumanism/ transhumanism in the context of animal encounters
Speculative realism and the animal
Animal ethics/responsibility
Animals and anti-correlationist perspectives
The organisers intend to put together an edited collection based on the symposium theme. Selected presenters may be invited to submit essays based on their papers.
Please send 200 word abstracts to Sara Upstone and Heidi James-Dunbar by 15 July 2013.
Enquiries to Sara Upstone
Saturday 5th October
Kingston University, London
In her recent work on human-animal encounter, Donna Haraway asks us to consider ‘who “we” will become when species meet’. At the centre of Haraway’s question is a concern for the mutuality of species, and a desire to reconfigure those Enlightenment inheritances which dialectically position ‘animal’ as the other of ‘human’. Such interests demand a reappraisal not merely of humanist discourse, but also of related questions regarding ethics and responsibility.
This one day symposium hosted in conjunction with Cultural Histories at Kingston aims to consider how contemporary cultural texts in their broadest definition (literature, performance, creative writing, film and television) not only engage with the human-animal encounter, but also how this relationship might speak to a transformative social discourse in terms of ‘beingist’ agendas that interrogate not only humanist allegiances, but also more traditional identity politics.
Confirmed guest speaker: Professor John Mullarkey, Professor of Film and Television, Kingston University.
The organisers welcome 20 minute papers that speak to any aspect of this theme, which might include, but are not limited to:
Animal-human encounters
Animal as metaphor/anti-metaphor
Animal-human transformations
Performing the ‘animal’
The animal other in popular culture
'Beingist’ interrogations of identity politics
Revisions of humanism/ posthumanism/ transhumanism in the context of animal encounters
Speculative realism and the animal
Animal ethics/responsibility
Animals and anti-correlationist perspectives
The organisers intend to put together an edited collection based on the symposium theme. Selected presenters may be invited to submit essays based on their papers.
Please send 200 word abstracts to Sara Upstone and Heidi James-Dunbar by 15 July 2013.
Enquiries to Sara Upstone
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